Historical story of disınformation-2022

 A BRIEF HISTORY OF MEDIA DISINFORMATION

Misinformation, disinformation and propaganda have been features of human communication since at least the Roman times when Antony met Cleopatra. Octavian waged a propaganda campaign against Antony that was designed to smear his reputation.

This took the form of “short, sharp slogans written upon coins in the style of archaic Tweets.”3 These slogans painted Antony as a womaniser and a drunk, implying he had become Cleopatra’s puppet, having been corrupted by his affair with her. Octavian became Augustus, the first Roman Emperor and “fake news had allowed Octavian to hack the republican system once and for all.”4

 

The invention of the Gutenberg printing press in 1493 dramatically amplified the dissemination of disinformation and misinformation, and it ultimately delivered the first-large scale news hoax – ‘The Great Moon Hoax’ of 18355. The New York Sun published six articles about the discovery of life on the moon, complete with illustrations of humanoid bat-creatures and bearded blue unicorns. Conflicts, regime change, and catastrophes then became markers for the dissemination of disinformation.

As one-to-many communications developed in the 20th century, especially with the advent of radio and television, satirical news evolved, sometimes being mistaken as the real thing in news consumers’ minds. Finally, as this guide illustrates, the arrival of the internet in the late 20th century, followed by social media in the 21st century, dramatically multiplied the risks of misinformation, disinformation, propaganda and hoaxes. Both errors and fraudulent content now go viral through peer-to-peer distribution (many- to-many communication)6, while news satire is regularly misunderstood and re- shared as straight news by unwitting social media users7. We now inhabit a world with computational propaganda, state-sponsored ‘sock-puppet networks’, troll armies8, and technology that can mimic legitimate news websites and seamlessly manipulate audio and video to create synthetic representations of any number of sources. In this environment, where trust becomes polarised around what “news” aligns with their views, many news consumers feel entitled to choose or create their own ‘facts’.

 

Emine  atp (Gülay Yazman)Atatürk Mtal

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